Tue 19 Jun 2012
The Momentarily Absurd
Private View: Saturday 14 and Sunday 15th July 2012 / 12 -6pm
High House Gallery, Main Street, Clanfield, Oxon
Main Street, Clanfield, Oxon, OX18 2SH
+44 (0)1367 810126 | +44 (0)7951 681571
info@highhousegallery.com | www.highhousegallery.com
The Momentarily Absurd
14 July to 16 September 2012
Humour in Contemporary Art
A group exhibition that looks at wit in contemporary art featuring Doyle & Mallinson, Peter Kennard, Littlewhitehead, John Stezaker, Julie Cockburn, Harry Hill and others.
If you’re going to tell people the truth, be funny or they’ll kill you. (Billy Wilder)
A joke cannot exist in isolation; it needs to be supported by ideas and thoughts. Similarly contemporary art relies upon background to engender emotions and thoughts that have not been previously experienced. By using humour artists reveal the hidden structures of our ordered world. The simplest of jokes strain the fabric of our language or social structure, rendering them momentarily absurd. There is a jolt as we struggle to understand the illogical and humour is created in this shift from reality to unreality. It is a way of avoiding direct responsibility, criticising social systems from within, enabling us to escape from our normal ordered world. Through humour we can to address the taboo opening up a wider discourse to important topics.
Jokes, parody, comedy, irony, satire, black, political and nonsense: humour in art now takes many forms, but it was not always that way. A hundred years ago wit had virtually no part in high art. Then the avant-garde arrived and stirred up the status quo. Marcel Duchamp put a urinal on a pedestal and called it ‘Fountain’. The gates to humour in art were opened and the Dadaists were followed by others like the Surrealists, Fluxus and the Pop Art movements. The post-modernists went farther and appropriated, subverted and deconstructed often using pastiche, parody, irony, ironic conflict and paradox.
Humour is now firmly established in the art world and it has long been accepted that witty work can indeed be very serious. Collected together in this exhibition are a broad selection of works that all employ ingenious strategies to convey their varied messages.
———————
Private View: Saturday 14 & Sunday 15 July 2012 / 12 – 6pm
Thu 26 Apr 2012
The sculpture ‘Greetings From Oil City’ will feature in ‘Thames Delta’ at Focal Point Gallery.
Curated by David Elvin, Barry Sinclair and Focal Point Gallery
Ross Birrell, Rick Buckley, Simon Critchley, John Cussans,
Jeremy Deller and Nick Abrahams, Mat Do, Jonathan Dronsfield,
Lucy Harrison, Scott King and Haroon Mirza.
16 April – 30 June 2012
Focal Point Gallery
Southend Central Library
Victoria Avenue, Southend-on-Sea SS2 6EX
www.focalpoint.org.uk
Wed 25 Apr 2012
Schizm magazine
Issue 4 launch . Friday 27th April, 7-9pm
X Marks the Bokship, Unit 3, 210 Cambridge Heath Rd
London E2
Schizm magazine
Issue 4 (obsolescence, regeneration and criticality)
Edited, Designed and Produced by Emma Holmes
Contributors: Bob Ajar, Shahin Afrassiabi, Michael Andreae,
Noah Angell, Caline Aoun, Mike Ballard, Sam Basu, Manuela Barczewski,
Paul Buck, John Chilver, Ami Clarke, Craig Cooper, Alexandre Da Cunha,
Doyle and Mallinson, Alasdair Duncan, Deborah Farnault, Charles Gute,
Michael Hampton, Friederike Hamann, Ed Jones, Dean Kenning,
Sara Knowland, Cedar Lewisohn, Leonard Manasseh, Alastair Mackkinven,
Sascha Mikloweit, Anne Redmond, Georgio Sadotti, Stephen Stetford.
First Edition 300 copies
Schizm will be exhibited at the Whitechapel Gallery as part of the London Open
(July-Sept 2012)